Myrlande Constant: The Work of Radiance

March 26–July 16, 2023

Fowler Museum presents Myrlande Constant: The Work of Radiance, a retrospective of the groundbreaking 30-year-long career of Myrlande Constant, an artist renowned for her monumental, hand-beaded textiles. The first U.S. museum exhibition devoted to the work of a Haitian female contemporary artist, the presentation and its accompanying publication trace the evolution of Constant’s artistic vision, innovative techniques, and impact on art-making in Haiti and the contemporary art world.

Constant’s painstakingly beaded tapestries build on the drapo Vodou tradition and depict Haitians, Catholic saints, and Vodou spirits in both vast and intimate scenes of Haitian history and everyday life. The fully-illustrated monograph features essays by curators, artists, and cultural figures.

Areas of the Collection

ARTS OF AFRICA AND THE AFRICAN DIASPORA

One of the largest and finest in the United States, and one of the top twenty African collections worldwide, this collection offers a superb representation of the arts of many African nations, including objects from Senegal, Nigeria, Ghana, Cameroon, the Democratic Republic of the Congo (formerly Zaire), Kenya, Zambia, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects, including a majestic throne, elaborate chiefly gowns and sophisticated divination regalia.

A collection of post-apartheid election materials and contemporary South African art is being developed, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation.

The collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas, and notable arts from Haitian Vodou, Brazil, and Suriname.

These holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico, the Valley of Mexico, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life, Day of the Dead figures, and masks from Metepec, Oaxaca, Michoacan, Jalisco, Puebla, and Guanajuato.

Native American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material, as well as a notable cross-section of late nineteenth-century Inuit art and material culture.

The Fowler Museum at UCLA collections from Insular Southeast Asia, including Indonesia, the Philippines, Malaysia, and aboriginal Taiwan, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra, Borneo, Sulawesi, and Luzon, puppetry from Java and Bali, basketry from Indonesia and the Philippines, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea, especially the Papuan Gulf, Trobriand Islands, Sepik River, and Maprik region. Australia and Polynesia are also represented by sizeable collections, including 45 rare Maori cloaks.

The collections from mainland Asia are smaller but growing rapidly, due to current collecting priorities. A collection of betel-chewing paraphernalia, representing several countries in South and Southeast Asia, is considered one of the finest in the world. Other holdings include textiles from Bhutan, Pakistan, India, and Japan, baskets and decorative arts from Japan, puppetry from China, Thailand, India, and Turkey, and art and artifacts from Nepal.

The Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty, staff, students, and other professional archaeologists. Documentation of the collections includes artifact catalogs, excavation notes, maps, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts.

Archaeological collection areas include:

California

Collections from approximately 1100 sites, mostly in Southern California.

Southwest

Significant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s, and other Anasazi and Hohokam sites.

Mexico

Includes objects from 218 sites, mostly in western and central Mexico.

Sudan

The Nubian/Egyptian fortress site at Askut is the source of approximately 60,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign, 1962-1964.

Old World Stone tool collection

Includes tools from Europe and the Middle East.

Myrlande Constant: The Work of Radiance

March 26–July 16, 2023

Fowler Museum presents Myrlande Constant: The Work of Radiance, a retrospective of the groundbreaking 30-year-long career of Myrlande Constant, an artist renowned for her monumental, hand-beaded textiles. The first U.S. museum exhibition devoted to the work of a Haitian female contemporary artist, the presentation and its accompanying publication trace the evolution of Constant’s artistic vision, innovative techniques, and impact on art-making in Haiti and the contemporary art world.

Constant’s painstakingly beaded tapestries build on the drapo Vodou tradition and depict Haitians, Catholic saints, and Vodou spirits in both vast and intimate scenes of Haitian history and everyday life. The fully-illustrated monograph features essays by curators, artists, and cultural figures.

Areas of the Collection

ARTS OF AFRICA AND THE AFRICAN DIASPORA

One of the largest and finest in the United States, and one of the top twenty African collections worldwide, this collection offers a superb representation of the arts of many African nations, including objects from Senegal, Nigeria, Ghana, Cameroon, the Democratic Republic of the Congo (formerly Zaire), Kenya, Zambia, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects, including a majestic throne, elaborate chiefly gowns and sophisticated divination regalia.

A collection of post-apartheid election materials and contemporary South African art is being developed, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation.

The collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas, and notable arts from Haitian Vodou, Brazil, and Suriname.

These holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico, the Valley of Mexico, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life, Day of the Dead figures, and masks from Metepec, Oaxaca, Michoacan, Jalisco, Puebla, and Guanajuato.

Native American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material, as well as a notable cross-section of late nineteenth-century Inuit art and material culture.

The Fowler Museum at UCLA collections from Insular Southeast Asia, including Indonesia, the Philippines, Malaysia, and aboriginal Taiwan, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra, Borneo, Sulawesi, and Luzon, puppetry from Java and Bali, basketry from Indonesia and the Philippines, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea, especially the Papuan Gulf, Trobriand Islands, Sepik River, and Maprik region. Australia and Polynesia are also represented by sizeable collections, including 45 rare Maori cloaks.

The collections from mainland Asia are smaller but growing rapidly, due to current collecting priorities. A collection of betel-chewing paraphernalia, representing several countries in South and Southeast Asia, is considered one of the finest in the world. Other holdings include textiles from Bhutan, Pakistan, India, and Japan, baskets and decorative arts from Japan, puppetry from China, Thailand, India, and Turkey, and art and artifacts from Nepal.

The Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty, staff, students, and other professional archaeologists. Documentation of the collections includes artifact catalogs, excavation notes, maps, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts.

Archaeological collection areas include:

California

Collections from approximately 1100 sites, mostly in Southern California.

Southwest

Significant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s, and other Anasazi and Hohokam sites.

Mexico

Includes objects from 218 sites, mostly in western and central Mexico.

Sudan

The Nubian/Egyptian fortress site at Askut is the source of approximately 60,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign, 1962-1964.

Old World Stone tool collection

Includes tools from Europe and the Middle East.

Myrlande Constant: The Work of Radiance

March 26–July 16, 2023

Fowler Museum presents Myrlande Constant: The Work of Radiance, a retrospective of the groundbreaking 30-year-long career of Myrlande Constant, an artist renowned for her monumental, hand-beaded textiles. The first U.S. museum exhibition devoted to the work of a Haitian female contemporary artist, the presentation and its accompanying publication trace the evolution of Constant’s artistic vision, innovative techniques, and impact on art-making in Haiti and the contemporary art world.

Constant’s painstakingly beaded tapestries build on the drapo Vodou tradition and depict Haitians, Catholic saints, and Vodou spirits in both vast and intimate scenes of Haitian history and everyday life. The fully-illustrated monograph features essays by curators, artists, and cultural figures.

Areas of the Collection

ARTS OF AFRICA AND THE AFRICAN DIASPORA

One of the largest and finest in the United States, and one of the top twenty African collections worldwide, this collection offers a superb representation of the arts of many African nations, including objects from Senegal, Nigeria, Ghana, Cameroon, the Democratic Republic of the Congo (formerly Zaire), Kenya, Zambia, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects, including a majestic throne, elaborate chiefly gowns and sophisticated divination regalia.

A collection of post-apartheid election materials and contemporary South African art is being developed, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation.

The collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas, and notable arts from Haitian Vodou, Brazil, and Suriname.

These holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico, the Valley of Mexico, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life, Day of the Dead figures, and masks from Metepec, Oaxaca, Michoacan, Jalisco, Puebla, and Guanajuato.

Native American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material, as well as a notable cross-section of late nineteenth-century Inuit art and material culture.

The Fowler Museum at UCLA collections from Insular Southeast Asia, including Indonesia, the Philippines, Malaysia, and aboriginal Taiwan, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra, Borneo, Sulawesi, and Luzon, puppetry from Java and Bali, basketry from Indonesia and the Philippines, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea, especially the Papuan Gulf, Trobriand Islands, Sepik River, and Maprik region. Australia and Polynesia are also represented by sizeable collections, including 45 rare Maori cloaks.

The collections from mainland Asia are smaller but growing rapidly, due to current collecting priorities. A collection of betel-chewing paraphernalia, representing several countries in South and Southeast Asia, is considered one of the finest in the world. Other holdings include textiles from Bhutan, Pakistan, India, and Japan, baskets and decorative arts from Japan, puppetry from China, Thailand, India, and Turkey, and art and artifacts from Nepal.

The Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty, staff, students, and other professional archaeologists. Documentation of the collections includes artifact catalogs, excavation notes, maps, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts.

Archaeological collection areas include:

California

Collections from approximately 1100 sites, mostly in Southern California.

Southwest

Significant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s, and other Anasazi and Hohokam sites.

Mexico

Includes objects from 218 sites, mostly in western and central Mexico.

Sudan

The Nubian/Egyptian fortress site at Askut is the source of approximately 60,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign, 1962-1964.

Old World Stone tool collection

Includes tools from Europe and the Middle East.

Myrlande Constant: The Work of Radiance

March 26–July 16, 2023

Fowler Museum presents Myrlande Constant: The Work of Radiance, a retrospective of the groundbreaking 30-year-long career of Myrlande Constant, an artist renowned for her monumental, hand-beaded textiles. The first U.S. museum exhibition devoted to the work of a Haitian female contemporary artist, the presentation and its accompanying publication trace the evolution of Constant’s artistic vision, innovative techniques, and impact on art-making in Haiti and the contemporary art world.

Constant’s painstakingly beaded tapestries build on the drapo Vodou tradition and depict Haitians, Catholic saints, and Vodou spirits in both vast and intimate scenes of Haitian history and everyday life. The fully-illustrated monograph features essays by curators, artists, and cultural figures.

Areas of the Collection

ARTS OF AFRICA AND THE AFRICAN DIASPORA

One of the largest and finest in the United States, and one of the top twenty African collections worldwide, this collection offers a superb representation of the arts of many African nations, including objects from Senegal, Nigeria, Ghana, Cameroon, the Democratic Republic of the Congo (formerly Zaire), Kenya, Zambia, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects, including a majestic throne, elaborate chiefly gowns and sophisticated divination regalia.

A collection of post-apartheid election materials and contemporary South African art is being developed, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation.

The collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas, and notable arts from Haitian Vodou, Brazil, and Suriname.

These holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico, the Valley of Mexico, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life, Day of the Dead figures, and masks from Metepec, Oaxaca, Michoacan, Jalisco, Puebla, and Guanajuato.

Native American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material, as well as a notable cross-section of late nineteenth-century Inuit art and material culture.

The Fowler Museum at UCLA collections from Insular Southeast Asia, including Indonesia, the Philippines, Malaysia, and aboriginal Taiwan, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra, Borneo, Sulawesi, and Luzon, puppetry from Java and Bali, basketry from Indonesia and the Philippines, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea, especially the Papuan Gulf, Trobriand Islands, Sepik River, and Maprik region. Australia and Polynesia are also represented by sizeable collections, including 45 rare Maori cloaks.

The collections from mainland Asia are smaller but growing rapidly, due to current collecting priorities. A collection of betel-chewing paraphernalia, representing several countries in South and Southeast Asia, is considered one of the finest in the world. Other holdings include textiles from Bhutan, Pakistan, India, and Japan, baskets and decorative arts from Japan, puppetry from China, Thailand, India, and Turkey, and art and artifacts from Nepal.

The Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty, staff, students, and other professional archaeologists. Documentation of the collections includes artifact catalogs, excavation notes, maps, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts.

Archaeological collection areas include:

California

Collections from approximately 1100 sites, mostly in Southern California.

Southwest

Significant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s, and other Anasazi and Hohokam sites.

Mexico

Includes objects from 218 sites, mostly in western and central Mexico.

Sudan

The Nubian/Egyptian fortress site at Askut is the source of approximately 60,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign, 1962-1964.

Old World Stone tool collection

Includes tools from Europe and the Middle East.

Myrlande Constant: The Work of Radiance

March 26–July 16, 2023

Fowler Museum presents Myrlande Constant: The Work of Radiance, a retrospective of the groundbreaking 30-year-long career of Myrlande Constant, an artist renowned for her monumental, hand-beaded textiles. The first U.S. museum exhibition devoted to the work of a Haitian female contemporary artist, the presentation and its accompanying publication trace the evolution of Constant’s artistic vision, innovative techniques, and impact on art-making in Haiti and the contemporary art world.

Constant’s painstakingly beaded tapestries build on the drapo Vodou tradition and depict Haitians, Catholic saints, and Vodou spirits in both vast and intimate scenes of Haitian history and everyday life. The fully-illustrated monograph features essays by curators, artists, and cultural figures.

Areas of the Collection

ARTS OF AFRICA AND THE AFRICAN DIASPORA

One of the largest and finest in the United States, and one of the top twenty African collections worldwide, this collection offers a superb representation of the arts of many African nations, including objects from Senegal, Nigeria, Ghana, Cameroon, the Democratic Republic of the Congo (formerly Zaire), Kenya, Zambia, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects, including a majestic throne, elaborate chiefly gowns and sophisticated divination regalia.

A collection of post-apartheid election materials and contemporary South African art is being developed, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation.

The collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas, and notable arts from Haitian Vodou, Brazil, and Suriname.

These holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico, the Valley of Mexico, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life, Day of the Dead figures, and masks from Metepec, Oaxaca, Michoacan, Jalisco, Puebla, and Guanajuato.

Native American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material, as well as a notable cross-section of late nineteenth-century Inuit art and material culture.

The Fowler Museum at UCLA collections from Insular Southeast Asia, including Indonesia, the Philippines, Malaysia, and aboriginal Taiwan, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra, Borneo, Sulawesi, and Luzon, puppetry from Java and Bali, basketry from Indonesia and the Philippines, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea, especially the Papuan Gulf, Trobriand Islands, Sepik River, and Maprik region. Australia and Polynesia are also represented by sizeable collections, including 45 rare Maori cloaks.

The collections from mainland Asia are smaller but growing rapidly, due to current collecting priorities. A collection of betel-chewing paraphernalia, representing several countries in South and Southeast Asia, is considered one of the finest in the world. Other holdings include textiles from Bhutan, Pakistan, India, and Japan, baskets and decorative arts from Japan, puppetry from China, Thailand, India, and Turkey, and art and artifacts from Nepal.

The Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty, staff, students, and other professional archaeologists. Documentation of the collections includes artifact catalogs, excavation notes, maps, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts.

Archaeological collection areas include:

California

Collections from approximately 1100 sites, mostly in Southern California.

Southwest

Significant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s, and other Anasazi and Hohokam sites.

Mexico

Includes objects from 218 sites, mostly in western and central Mexico.

Sudan

The Nubian/Egyptian fortress site at Askut is the source of approximately 60,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign, 1962-1964.

Old World Stone tool collection

Includes tools from Europe and the Middle East.

Myrlande Constant: The Work of Radiance

March 26–July 16, 2023

Fowler Museum presents Myrlande Constant: The Work of Radiance, a retrospective of the groundbreaking 30-year-long career of Myrlande Constant, an artist renowned for her monumental, hand-beaded textiles. The first U.S. museum exhibition devoted to the work of a Haitian female contemporary artist, the presentation and its accompanying publication trace the evolution of Constant’s artistic vision, innovative techniques, and impact on art-making in Haiti and the contemporary art world.

Constant’s painstakingly beaded tapestries build on the drapo Vodou tradition and depict Haitians, Catholic saints, and Vodou spirits in both vast and intimate scenes of Haitian history and everyday life. The fully-illustrated monograph features essays by curators, artists, and cultural figures.

Areas of the Collection

ARTS OF AFRICA AND THE AFRICAN DIASPORA

One of the largest and finest in the United States, and one of the top twenty African collections worldwide, this collection offers a superb representation of the arts of many African nations, including objects from Senegal, Nigeria, Ghana, Cameroon, the Democratic Republic of the Congo (formerly Zaire), Kenya, Zambia, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects, including a majestic throne, elaborate chiefly gowns and sophisticated divination regalia.

A collection of post-apartheid election materials and contemporary South African art is being developed, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation.

The collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas, and notable arts from Haitian Vodou, Brazil, and Suriname.

These holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico, the Valley of Mexico, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life, Day of the Dead figures, and masks from Metepec, Oaxaca, Michoacan, Jalisco, Puebla, and Guanajuato.

Native American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material, as well as a notable cross-section of late nineteenth-century Inuit art and material culture.

The Fowler Museum at UCLA collections from Insular Southeast Asia, including Indonesia, the Philippines, Malaysia, and aboriginal Taiwan, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra, Borneo, Sulawesi, and Luzon, puppetry from Java and Bali, basketry from Indonesia and the Philippines, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea, especially the Papuan Gulf, Trobriand Islands, Sepik River, and Maprik region. Australia and Polynesia are also represented by sizeable collections, including 45 rare Maori cloaks.

The collections from mainland Asia are smaller but growing rapidly, due to current collecting priorities. A collection of betel-chewing paraphernalia, representing several countries in South and Southeast Asia, is considered one of the finest in the world. Other holdings include textiles from Bhutan, Pakistan, India, and Japan, baskets and decorative arts from Japan, puppetry from China, Thailand, India, and Turkey, and art and artifacts from Nepal.

The Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty, staff, students, and other professional archaeologists. Documentation of the collections includes artifact catalogs, excavation notes, maps, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts.

Archaeological collection areas include:

California

Collections from approximately 1100 sites, mostly in Southern California.

Southwest

Significant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s, and other Anasazi and Hohokam sites.

Mexico

Includes objects from 218 sites, mostly in western and central Mexico.

Sudan

The Nubian/Egyptian fortress site at Askut is the source of approximately 60,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign, 1962-1964.

Old World Stone tool collection

Includes tools from Europe and the Middle East.

Myrlande Constant: The Work of Radiance

March 26–July 16, 2023

Fowler Museum presents Myrlande Constant: The Work of Radiance, a retrospective of the groundbreaking 30-year-long career of Myrlande Constant, an artist renowned for her monumental, hand-beaded textiles. The first U.S. museum exhibition devoted to the work of a Haitian female contemporary artist, the presentation and its accompanying publication trace the evolution of Constant’s artistic vision, innovative techniques, and impact on art-making in Haiti and the contemporary art world.

Constant’s painstakingly beaded tapestries build on the drapo Vodou tradition and depict Haitians, Catholic saints, and Vodou spirits in both vast and intimate scenes of Haitian history and everyday life. The fully-illustrated monograph features essays by curators, artists, and cultural figures.

Areas of the Collection

ARTS OF AFRICA AND THE AFRICAN DIASPORA

One of the largest and finest in the United States, and one of the top twenty African collections worldwide, this collection offers a superb representation of the arts of many African nations, including objects from Senegal, Nigeria, Ghana, Cameroon, the Democratic Republic of the Congo (formerly Zaire), Kenya, Zambia, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects, including a majestic throne, elaborate chiefly gowns and sophisticated divination regalia.

A collection of post-apartheid election materials and contemporary South African art is being developed, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation.

The collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas, and notable arts from Haitian Vodou, Brazil, and Suriname.

These holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico, the Valley of Mexico, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life, Day of the Dead figures, and masks from Metepec, Oaxaca, Michoacan, Jalisco, Puebla, and Guanajuato.

Native American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material, as well as a notable cross-section of late nineteenth-century Inuit art and material culture.

The Fowler Museum at UCLA collections from Insular Southeast Asia, including Indonesia, the Philippines, Malaysia, and aboriginal Taiwan, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra, Borneo, Sulawesi, and Luzon, puppetry from Java and Bali, basketry from Indonesia and the Philippines, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea, especially the Papuan Gulf, Trobriand Islands, Sepik River, and Maprik region. Australia and Polynesia are also represented by sizeable collections, including 45 rare Maori cloaks.

The collections from mainland Asia are smaller but growing rapidly, due to current collecting priorities. A collection of betel-chewing paraphernalia, representing several countries in South and Southeast Asia, is considered one of the finest in the world. Other holdings include textiles from Bhutan, Pakistan, India, and Japan, baskets and decorative arts from Japan, puppetry from China, Thailand, India, and Turkey, and art and artifacts from Nepal.

The Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty, staff, students, and other professional archaeologists. Documentation of the collections includes artifact catalogs, excavation notes, maps, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts.

Archaeological collection areas include:

California

Collections from approximately 1100 sites, mostly in Southern California.

Southwest

Significant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s, and other Anasazi and Hohokam sites.

Mexico

Includes objects from 218 sites, mostly in western and central Mexico.

Sudan

The Nubian/Egyptian fortress site at Askut is the source of approximately 60,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign, 1962-1964.

Old World Stone tool collection

Includes tools from Europe and the Middle East.

Myrlande Constant: The Work of Radiance

March 26–July 16, 2023

Fowler Museum presents Myrlande Constant: The Work of Radiance, a retrospective of the groundbreaking 30-year-long career of Myrlande Constant, an artist renowned for her monumental, hand-beaded textiles. The first U.S. museum exhibition devoted to the work of a Haitian female contemporary artist, the presentation and its accompanying publication trace the evolution of Constant’s artistic vision, innovative techniques, and impact on art-making in Haiti and the contemporary art world.

Constant’s painstakingly beaded tapestries build on the drapo Vodou tradition and depict Haitians, Catholic saints, and Vodou spirits in both vast and intimate scenes of Haitian history and everyday life. The fully-illustrated monograph features essays by curators, artists, and cultural figures.

Areas of the Collection

ARTS OF AFRICA AND THE AFRICAN DIASPORA

One of the largest and finest in the United States, and one of the top twenty African collections worldwide, this collection offers a superb representation of the arts of many African nations, including objects from Senegal, Nigeria, Ghana, Cameroon, the Democratic Republic of the Congo (formerly Zaire), Kenya, Zambia, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects, including a majestic throne, elaborate chiefly gowns and sophisticated divination regalia.

A collection of post-apartheid election materials and contemporary South African art is being developed, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation.

The collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas, and notable arts from Haitian Vodou, Brazil, and Suriname.

These holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico, the Valley of Mexico, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life, Day of the Dead figures, and masks from Metepec, Oaxaca, Michoacan, Jalisco, Puebla, and Guanajuato.

Native American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material, as well as a notable cross-section of late nineteenth-century Inuit art and material culture.

The Fowler Museum at UCLA collections from Insular Southeast Asia, including Indonesia, the Philippines, Malaysia, and aboriginal Taiwan, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra, Borneo, Sulawesi, and Luzon, puppetry from Java and Bali, basketry from Indonesia and the Philippines, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea, especially the Papuan Gulf, Trobriand Islands, Sepik River, and Maprik region. Australia and Polynesia are also represented by sizeable collections, including 45 rare Maori cloaks.

The collections from mainland Asia are smaller but growing rapidly, due to current collecting priorities. A collection of betel-chewing paraphernalia, representing several countries in South and Southeast Asia, is considered one of the finest in the world. Other holdings include textiles from Bhutan, Pakistan, India, and Japan, baskets and decorative arts from Japan, puppetry from China, Thailand, India, and Turkey, and art and artifacts from Nepal.

The Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty, staff, students, and other professional archaeologists. Documentation of the collections includes artifact catalogs, excavation notes, maps, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts.

Archaeological collection areas include:

California

Collections from approximately 1100 sites, mostly in Southern California.

Southwest

Significant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s, and other Anasazi and Hohokam sites.

Mexico

Includes objects from 218 sites, mostly in western and central Mexico.

Sudan

The Nubian/Egyptian fortress site at Askut is the source of approximately 60,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign, 1962-1964.

Old World Stone tool collection

Includes tools from Europe and the Middle East.